Slamdance International Film Festival, Park City

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Slamdance International Film Festival, Park City

Slamdance Inc.
5634, Melrose Avenue
CA 90038 Los Angeles
USA

phone +1-323-4 66 17 86
fax +1-323-4 66 17 84
http://www.slamdance.com
email: mail@slamdance.com

Director
Peter Baxter

Director of Programming
Sarah Diamond

Year of Foundation 1995

Event Date  from 18 January 2007 till 27 January 2007

in Park City, United States

Sections Filmmakers Gallery, Competition

Genres Documentary Films, Experimental Films, Feature Films Cinema, Short Films

Terms of Entry no restrictions regarding length and year of production, US Premiere recommended but not required, has to be 1st time director

Subtitles English subtitles necessary

Format 16mm, 35mm, VHS PAL, VHS NTSC

Registration Deadline  Early deadline is August 28th, 2006 for all films
Final shorts (films under 40 minutes) deadline is October 10th, 2006
Final features deadline is October 16th, 2006

Fees Early deadline: US$ 25 under 40 min. and US$ 40 over 40 min
Late Deadline: $US 45 under 40 min. and $US 60 over 40 min

Attendance Figures 12,000

Participants of the Film Industry Representatives of talent agencies and festival scouts looking for new talents

Prizes/Awards Great Jury Prize, Audience Award, Best B/W Cinematography, Best Editing

German Films 2007
NARRATIVE FEATURE COMPETITION
Under the sun (Unter der Sonne) by Baran bo Odar
GALLERY SHORTS COMPETITION
Red Timber (Rotes Holz) by Agnes Karow
ANIMATION COMPETITION
Close your eyes and do not breathe by Vuk Jevremovic
Eva by Martin Quaden
Infinte justice by Karl Tebbe
2006 ONLINE ANARCHY FINALISTS
Der Bildermacher by Stefan Hering
SHORTS BEFORE FEATURE COMPETITION
The Visitors (Die Besucher) by Ulrike Molsen

Prizes for International Films

Number of Films Shown 19 feature films, 15 shorts films

Media Coverage national and international media coverage; primarily in the trade papers

Evaluation The "little brother" of Sundance is gaining more and more signifance. It runs parallel to Sundance and enjoys a very good reputation. More and more filmmakers are sending their debut features, among them an increasing number of young European directors. The festival has meanwhile established itself as an attractive alternative to Sundance.